GEAR DOGS, 2017 (DISCOVERY, SEASON 1) | CAMERA OP || For this Discovery series, I was a camera operator for a number of pick-up scenes during production.

MAGIC IN THE MOUNTAINS, 2021 | ASSOC. PRODUCER || This feature-length documentary retells the history-making events and key players (including Walt Disney) of the 1960's Winter Olympics. For this I found an article (and book), contacted the author, pitched the idea, created a concept trailer and got the green light.

EDITOR & DIRECTOR OF ANIMATION: THE WORKSHOP, BY BUILD-A-BEAR (2019) || I was lead editor on this entire 8-episode series. Interpreting the animation style was also left to me. I delegated visual development to fellow animator, Mickey Nuspl (giving her direction), turned her character designs into animatable rigs, set up all production files for animation (deciding which shots get animated and which don't), and divided scenes of animation between the pair of us. I tasked Nuspl with illustrating the artwork and finding this style.

AMERICARNA, 2016/2017 (VELOCITY, SEASON 3, 4) | EDITOR/CAMERA OP || This was my first narrative series as an editor. Working with lead editor Eric Stanley, I whittled down hours of footage into narrative scenes, often editing entire show acts into cohesive and compelling scenes for his review. By season 4, we were dividing episodes between us so that I could craft entire episodes for the series.

*EMMY-WINNER – DIRECTOR: TERRY’S SAFETY SQUAD (2019)

IN DEPTH W/ GRAHAM BENSINGER, 2014/2015 (FOX/ABC/NBC, SEASON 5) | ASST. EDITOR/CAMERA OP || This was my first series as an editor. Working from the direction and edits of story producers, I whittled down hours of interviews into chunks of content for our lead editor, Eric Stanley. I also prepped and edited promos for TV stations and network affiliates. In the field, I worked as a camera operator with DP Rick Hensel shooting b-roll and interviews.

SALVAGE CITY, 2012 (DISCOVERY, SEASON 1) | AC || Although I'd started out as a production assistant (this was my first full series), I was promoted to second AC within less than a month (credited as "key set PA"). I prepped cameras, assisted the camera crew, and liaised between production and post-production.

CARVERS, 2014 (SYFY, PILOT) | PHOTO ANIMATOR

INTERN: VOLTRON FORCE (2011) || As intern, I managed online promotions (interacting with fans and designing posters and images for promotion), provided feedback for the video game and animatics, and edited the special feature "Top 5 Powers of Voltron Force" for the DVD release of the classic series.

RESALE ROYALTY, 2013 (STYLE, SEASON 1) | ASST. GRAPHICS

CHARACTER DESIGN, STORY ART, 2ND ANIMATION: TOBY MCBEARD (DREAMWORKS, 2015) || I designed all the characters, helped develop the concept, and animated a couple of shots.

CAMERA OPERATOR/EDITOR: BEARVILLE ALIVE, (2016/2017; SEASON 3,4) (Build-A-Bear) || This kid-friendly puppet series required a single camera operator and an editor for every episode. I provided both for multiple episodes.